A painting may begin with just an idea or a stroke of the brush, but as Bill Barrell will tell you….
– Paintings often spring out of nowhere. Working on a blank canvas for me is great. I am not a format painter, so I am left free to look at things and feel things in a different way. Here in this work, I started out wanting to just deal with squares, or square-like shapes. The square shapes worked well alone, but I had a nagging feeling something could be added to make it work even better. It’s a bit of a gamble as one can take a perfectly good work and mess it up! At the same time – once the idea of adding to a painting takes hold, there is no going back.
Often this approach backfires and one can end up with an awful mess. However, when it works, it gives a great feeling of confidence. When it doesn’t work it means taking the mess you have made and heading in a totally different direction. I can never give up on a painting. I wrestle with it until it works.
One time in frustration at what was showing up on the canvas, I tore it into one inch bands and then braided the canvas back together. It worked well as it totally destroyed the image I was wrestling with and it resurfaced into a beautiful object that I could hang on the wall like a quilt.
This painting ended up quite well. The circle shapes did what I wanted them to do by bringing the square shapes to life. It’s as if all the shapes have dancing partners – they give each other motion. The surface becomes vibrant without being eye popping. I named this painting, “Dancing Paint.” –